Thursday, February 7, 2013

Wah Luen Industrial Centre Block A Visit


Wah Luen Industrial Centre Block A Visit

Overall feelings and comments


I have never been to any art gallery in industrial buildings. This is my first time and I think this is an eye-opening experience. ‘Art is hard to make a living’ people always mention this but I don’t think this is true although I could see that some artists are leading a hard life. Most of them combined their studios and their living areas together. 

I understand that they may get inspired anytime so that they can immediately transfer their ideas into creation. Yet, inside the industrial buildings the environment was dirty and dark. Unpleasant raw pork smell came into my nose time by time and the floor was soaked with water in upper levels. 

Interestingly, most of the artists did sell their creation directly but I don’t agree that art is hard to make a living at all. That’s because I saw few business cards were thrown inside the cards collecting box in some studios. If the company is willing to drop the business card, I think the artist is willing to cooperate with them. Some flats were rented by non-artists. They sold homemade food or organic food and visitors can enjoy the food in a small dinning room besides. Live cooking was shown in front and this attracted people to squeeze in the studio continuously. This was surely a wise way to earn profit.


Impressive Studio

The studio which impressed me most was ‘Out of Place’ ran by an artist called Cath Brophy. It was located in Unit 3, 16/F, Block A, Wah Luen. All the creations by Cath were large-scale collage drawings which were inspired by the contrasting styles of modern housing blocks and traditional houses in Hong Kong

The drawings were mainly painted with Charcoal, pastel and pencil only but they could still come out with excellent effect. I found the way she collages several characteristics of different architecture together into one creation interesting. Although all of the creations were only in black and white, the effect of three-dimension was very strong. I extremely like grids and parallel stuffs so when the parts were bound together, which were the different parts of different architectures in different directions, I still thought that they were parallel.


Besides, when I looked into the parts separately, I could recognize which type of buildings they are from. For instant in the work below, the window in the left are definitely from traditional temples with small circles and a cross lies on it.  It was enjoyable to look at the creation no matter you were seeing it in macro or digesting it in detail. I also like the scale of the creations. They were all huge like around 400x500 cm in size. The work seemed to enclose me and each part were nearly in their real sizes.



Different parts of different buildings were compressed into one creation yet there were enough spaces between each part. They ‘lived’ together very well and balanced each other. 

This is similar to the living environment in Hong Kong. It is crowd to live in Hong Kong without a doubt. However, each of us still has our own space, regardless of the size. We do not disturb people living around us yet we meet sometimes. It is just like different parts of different buildings overlap at some points but we can still trace the patterns clearly and will not feel dizzy. Can’t imagine a foreign artist can observe the buildings and living environment in Hong Kong that detailed. The creations match the real situation well. I appreciate this series of work.



Feelings towards Hong Kong Artists

I don’t think that art is dying in Hong Kong as I can see that many artists are still contributing tones of efforts to what they fond of. They paint with passion and willing to share their creations and foster the movement of art. 

The work I saw that day was in large variety even though I have just visited one of the fifteen industrial buildings! There must be more and more to see! Most of them were fascinating in which some of types really strike against me. That’s because I have never seen a similar type of work before. However, I nearly dropped after I have visited Wah Luen Industrial Centre Block A. Hope I can sleep more before the day I visit next time! 

2 comments:

  1. I am glad you enjoyed the studios regardless of the smell. You make an interesting point how don't think it's hard for an artist to make a living, if so why do you think we keep hearing this? What are the circumstances that make life hard and easy? Do you think the artists all would cooperate with the business cards that were dropped at their studio? It might be interesting to think about the economy of art and where the artist lie within it.

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  2. Although I saw business cards were dropped, there was just a few. I think it's not common for companies to find artists in these industrial buildings on their own as this is a waste of time to them. i think it's better for artists to join some gallery to ensure there are regular visits by different groups of people. Their works can reach more audience by doing so. I think the artists will cooperate with them...not sure:D

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